The story of Han Beauty, Wang Zhaojun
 

Wang Zhaojun is perhaps one of the most well-known beauties of ancient China.  She was a native of  Zigui  in Western Hubei province.  She entered the imperial harem during the reign of Emperor Yuan of Western Han (48-33 BC).  As the emperor had a large harem of maidens, he chose his companions by looking at their portraits.   The court painter, Mao Yan shou had painted an unflattering portrait of Wang Zhaojun because she refused to bribe him.  As a result,  she failed to receive the emperor's favour.

When the northern barbarous nation, Xiongnu chieftain, Huhanxie became a subject of the Han empire, he asked the Emperor to grant him a  Han beauty as his empress. To consolidate the relations with the Xiongnu, Emperor Yuan acceded to the request.  However, he was not prepared to part with any of his beautiful maidens.   He chose Wang Zhojun as the bride for Huhanxie as she appeared ordinary and plain from the portrait.

It was only when she was summoned  before the emperor prior to her departure that Emperor Yuan realised  his terrible mistake.  To his amazement and dismay, she turned out to be the most beautiful of the maidens in his harem.  However, it was too late for the Emperor to change his decision.   In anguish and sorrow, he parted with Wang Zhaojun.  Mao Yanshou was subsequently put to death for deceiving the Emperor.

The fate of Wang Zhaojun had however been sealed.  With saddness,  Wang Zhaojun, clutching her Pipa (a musical instrument) to her bosom, departed from Changan and travelled beyond the Great Wall to the land of the Xiongnu. 

Her story is well-captured in this rich and poignant poem entitled Song of Mingfei:

"When Mingfei left the palace of Han,
Face damp with tears, hair hanging loose,
Turning her lowered head she gazed back, expressionless.
And her sovereign could not restrain his anguish.
Blame lay in an artist's hand,
Few had he seen so pleasing to the eye.
Yet the source of such beauty was not painted;
Mao Yanshou was killed at once.
Departing, she knew, never to return,
Pitiable in the costume of the Han court.
Her plaintive voice asking for news of the south.
Where only the swan geese flew and returned each year.
Messages sent by her family, ten thousand li,
So that she in the foreign land will not pine.
Close by, Chang'an gate has locked out the beauty,
Life's aspirations thwarted by neither north nor south."

A Ming Hongzhi Period Blue and White Bowl depicting Wang Zhaojun departing to the land of Xiongnu
Wang Zhaojun clutching a Pipa
The Xiongnu Messenger


Yuan Blue and White depicting the same scene

Wang Zhaojun never returned and died in a distant barbarous land.  Her tomb at Hohhot in Inner Mongolia was one of the eight special scenary spots in present Inner Mongolia.
 


Wang Zhaojun's tomb at Hohhot in Inner Mongolia

 

 
 
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